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Saturday, April 7, 2007
Saturday, April 7, 2007
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A friend of mine commissioned me to paint a portrait of his father after he passed away. Since I was working on developing the Neo-Elegance art theory at the time, I rendered the image in the same style. A precious metal drawing was used as the substructure of the image that was then overlaid with multiple washes of diluted India Ink to build up the shadows and highlights. This piece expands on the incorporation of an underlying precious metal drawing using copper and pewter along with the silverpoint used in other images.
Materials Used: Silverpoint, India Ink, and White Ink on Stretched Muslin
Dimensions: 23" x 34"
Year Created: 2007
Client: Private Party
Saturday, March 3, 2007
Saturday, March 3, 2007
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The first piece of Neo-Elegance furniture. It combines the geometric qualities of Art Deco with the free-form biomorphs of Art Nouveau. The shelving unit is only held together with pegged mortise and tenon joints. No glue, nails, or screws were used or necessary. This allows the unit to be broken down flat for shipping or storage.
Materials Used: Pine, Purpleheart
Dimensions: 10" x 13" x 35"
Materials Used: Pine, Purpleheart
Dimensions: 10" x 13" x 35"
Year Created: 2007
Status: In Private Collection
Status: In Private Collection
Saturday, February 24, 2007
Saturday, February 24, 2007
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The third ink painting I created in conjunction with an art theory I was working on called Neo–Elegance. The image is a portrait of the late custom bike builder, Indian Larry, wearing an Indian headdress. A precious metal drawing was used as the substructure of the image that was then overlaid with multiple washes of diluted India Ink to build up the shadows and highlights. This piece expands on the incorporation of an underlying precious metal drawing using copper and pewter along with the silverpoint used in other images.
Materials Used: Silverpoint, Copper, Pewter, and India Ink on Stretched Muslin
Dimensions: 48" x 48" x 2"
Year Created: 2007
Client: Private Party
Saturday, February 10, 2007
Saturday, February 10, 2007
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One of my last experiments in Neo-Elegance etched glass. This piece focuses on the deconstruction of the female form applied to the underlying pattern formed by the grain in a piece of wood. In it, she is lying down on her side with her leg curled up to her chest. Unfortunately, it is not easy to get a good photograph of a glass etching when it is laid directly atop the wood panel it is mounted to, making the details in this piece difficult to see.
Materials Used: Tempered Glass, Chemical Etching Solution, Baltic Birch Plywood
Dimensions: 8.75" x 14.75" x 0.25"
Year Created: 2007
Status: Available
Dimensions: 8.75" x 14.75" x 0.25"
Year Created: 2007
Status: Available
Saturday, January 20, 2007
Saturday, January 20, 2007
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The second ink painting I created for an art theory I was working on called Neo–Elegance. It depicts a distorted nude male holding his arm. A precious metal drawing was used as the substructure of the image that was then overlaid with multiple washes of diluted India Ink to build up the shadows and highlights.
Materials Used: Silverpoint and India Ink on Stretched Muslin
Dimensions: 48" x 48" x 2"
Year Created: 2007
Status: In Private Collection
Saturday, January 13, 2007
Saturday, January 13, 2007
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The second in the series of Neo-Elegance etched glass works. This time I incorporated elements of Art Deco geometric circles and shapes and Art Nouveau arabesque hair with the simplification and deconstruction of the human form.
Materials Used: Tempered Glass, Chemical Etching Solution
Dimensions: 7" x 24" x 3/8"
Year Created: 2007
Status: Available
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